Mango — the whale
The daisy suitcase
The Heron Point lamp
Miru's INSPECTOR notebook
The notebook itself isn't a product in this line — it lives as a separate, page-through facsimile. Open it to read it as she left it, unfinished.
Open the facsimileFive objects the story already made unforgettable — loved before they were ever products.
Not one of them invented for a shelf. Each already lives across the whole IP at once — in the novel, in the screenplay, in the Atlas, in Eleanor's notebook — a circle that feeds itself. People love them long before there's a film. The sentiment is the hook; the margin is the business.
The notebook itself isn't a product in this line — it lives as a separate, page-through facsimile. Open it to read it as she left it, unfinished.
Open the facsimileFive objects a child hugs and a parent keeps. This isn't merchandising: it's the story, made to hold in your hands.
One category partner to take the line to market under the studio's art direction — premium tier, structured royalty, prototype-ready, and with a window ahead of release. Mango's pricing is committed; the rest is set with the partner, each for its own reason. The line extends out from these five — the road-trip poster, the canvas tote, the Margaret figure, the notebook facsimile, and combo packs — with detail on request.