IP Frontier Studio

The proof

One world, four materials, nothing added afterwards.

Coherence between layers is the one thing volume can't fake. Below it isn't described. It's shown.

Three materials, one world

Nano exists as a book, as an object and as a classroom tool. None of the three was briefed from the one before it — they came out of the same world at the same time, which is why the proportions, the tone and the weight match across all three.

Publishing

Ten albums in Spanish and American English. Text and art closed, an editor's pass away from print.

Read a spread below

Product

A manufactured sample, not a render: real fabric, the character's proportions, the name embroidered on the body. It's here, in my hands.

EdTech

Learning sheets that run in a browser with no install and no account — the condition a teacher actually works under. Ten of them, live in both languages.

Open a Nano sheet now →
Nano plush, manufactured sample
The plush came out of the albums, not out of a toy brief. That's why it looks like the character and not like a category.

Read a page. It's finished work, not a sample layout.

Nano album, text page, English edition Nano album, illustrated page
A spread from a Nano album, English edition. The text carries something concrete underneath the story — here, colour — and closes on an open question the child answers out loud. Ten albums exist at this level in Spanish and American English.

What isn't here yet

The screen layer exists as pilots assembled from the albums, in Spanish. They establish format, tone and mechanism; the series itself is unmade and uncommitted, which is the reason any of this is on the table.